Iago or moral sadism

Iago or moral sadism by A. AndreМЃ Glaz Download PDF EPUB FB2

Iago or Moral Sadism to us for treatment. Imagine we do not know anything about Iago's dealings and double dealings. Othello tells us; "My wife is unfaithful". No proof. "I want to kill my wife and then commit suicide." Who would not make a diagnosis.

My intention is rather to describe a type of sadism, which to my knowledge is not yet classified. I call this type “Moral Sadism ”.

The moral sadist is rarely, if ever, uncovered. I use the word ‘uncovered’ purposely. [This is a summary or excerpt from the full text of the book or article.

Sadism / Personality Disorder. There is absolutely no question about it – Iago is a sadist. For some people, debating why Iago did what he did is a waste of time, effort and energy.

He’s a sick puppy. He delights in the misery of others. Othello is Iago's story. Iago or moral sadism book is the creator of the plot in the play itself. 'I, Iago', appropriately restores Iago's position. The novel is about Iago. Starts with his childhood and builds up to the end of Othello.

Othello's opening comes only after about half of this book is complete. 'I, Iago' is not just a great extension of a timeless classic/5(81).

William Hazlitt wrote: "Iago is an extreme instance of diseased intellectual activity, with the most perfect indifference to moral good or evil, or rather with a decided preference of the latter, because it falls more readily in with his favorite propensity, gives greater zest to his thoughts and scope to his actions.

Research into dark personalities has advocated for the addition of sadism due to its close relationship with other dark traits (Book et al., ). Lower disgust for atavistic and animalistic tendencies may provide an objective marker of the greater predatory tendencies and desire for power represented by everyday sadism.

The villain Iago from "Othello" is a central character, and understanding him is key to understanding Shakespeare's entire play. His is the longest part with 1, lines. Iago’s character is consumed with hatred and envy.

He is jealous of Cassio for obtaining the position of Lieutenant over him, jealous of Othello–believing that he has bedded his wife–and jealous of Othello’s position. Perhaps Iago is the only person not puzzled by Iago, and there are signs in the play that he isn’t entirely clear about Iago either.

We know his actions perfectly well, and he works as a dramatic figure, but we don’t understand why he does what he does — we don’t grasp his motivation.

We observe his plot to destroy Othello by instilling jealousy (and incidentally Cassio and Desdemona. “Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury.

Iago himself proffers two reasons for. Iago devises an evil plot in which he uses trickery and deception to lead Othello We want a hero’s behavior to be virtuous and uphold our own moral code. Her latest book is The Search.

Iago and Roderigo describe Othello at the start of the play, without even naming him, using his racial difference to identify him, referring to him as “the Moor”, “an old black ram”.

He is even referred to as “the thick lips”. It is generally the morally dubious characters who use his race as a reason to disparage him. Lesser, Fiction and the Unconscious (New York: Vintage Books, ), pp. I; A. Andre Glaz, "Iago or Moral Sadism", American Imago, XIX (Winter, ), Rosenberg's article might well be included in this group.

6 Wangh uses Freud's distinction among three types of. Iago, the villain in Othello, is perhaps the most sadistic and consummately evil character in all English literature and his eventual downfall illustrates the triumph of love over hate, a key theme in many of Shakespeare’san ensign serving under Othello, the Moorish commander of the armed forces of Venice, is undoubtedly the most.

Jacques Maritain Papers: Index IAGO 21/01 F "Iago or Moral Sadism" by A. Andre Glaz IBERT 3/20 F Chagall, Journet, Psichari, Ibert, Lourie, Vlad, Satie IDEAL 36/03 F Autour de L' Etat Ideal por Carlos Santamaria nd IDEAS 42/10 T A New Approach to Some Basic Ideas in the.

Discussion of themes and motifs in William Shakespeare's Othello. eNotes critical analyses help you gain a deeper understanding of Othello so you can excel on your essay or test. Othello says this to Iago after starting to become suspicious about what might be happening between Desdemona and Cassio.

A master manipulator, Iago plants a seed of suspicion, but then seemingly hesitates to make any distinct accusations. As a result, Othello actually has to beg Iago to reveal the very suspicions that Iago is eager to pass along.

Cassio functions mainly to move the plot forward by inadvertently becoming a pawn in Iago’s plan. Cassio’s thoughts, feelings, and motivations are rarely revealed, but his character and behavior are significant for creating the conditions under which Iago can enact his plan.

Iago - Othello While Tony Soprano, Francis Urquhart and Tom Ripley are all villains that readers/viewers struggle not to like, Othello's Iago is cut from a very different cloth. Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio (a disciple of Boccaccio's), first published in The story revolves around its two central characters: Othello, a Moorish general in the Venetian army, and his treacherous ensign, Iago.

Key quotation (Aside) O, you are well tuned now!But I'll set down the pegs that make this music, As honest as I am. (–93) Setting the scene. In Act 2, Scene 1 of Othello, Iago formulates his plan to drive Othello mad.

Shakespeare shifts the action from Venice to Cyprus. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. Ironically Iago is repeatedly described as honest - this shows that Iago is such a skilled manipulator: Cassio says that he "never knew a Florentine more kind and honest" Desdemona declares "O, that's an honest fellow" He persuades Othello that his "honesty and love doth mince this matter" when the opposite is .Freud did argue, however, in relation to moral masochism that the vicissitudes of the instincts that converted sadism into masochism regularly occurred "under the condition of civilized suppression of the instincts, which withholds a great part of the destructive instinctual components from .Othello the protagonist of the play is the first and most important victim of the psychological manipulation by Iago, who slowly and carefully puts the infectious and poisonous doubt about Desdemona's moral character.

Iago manages the conspiracy so cleverly: he makes Cassio drink and behave irresponsibly so that Othello dismisses Cassio.